Muito prazer

"Poesia marginal expressed the experience of modern urban youth with an anti-establishment stance that had its origins in Rimbaud's late-19th-century poète maudit. Chacal, one of the typical voices of this poetry, led the hippie counterculture call of 'sex, drugs, and rock and roll.' He also affiliated himself with Oswald de Andrade's disregard for form and metrics, a poetry of the moment ('flash' - Oswald's 'Kodak')"--Handbook of Latin American Studies, v. 58.