If you liked Manning the Royal Navy in Bristol by Nicholas Rogers, start with Unfree labour in the development of the Atlantic world (2012), Bad Blood in Georgian Bristol (2022), and Murder on the Middle Passage (2020). These recommendations are drawn from the same author, shared genres, and reader overlap on BookOrb.

Back to Manning the Royal Navy in Bristol · Nicholas Rogers books in order

Recommended next reads

  1. 1 Unfree labour in the development of the Atlantic world 2012 · 272 pages · Paul E. Lovejoy, Nicholas Rogers · Same author
  2. 2 Bad Blood in Georgian Bristol 2022 · 168 pages · Steve Poole, Nicholas Rogers · Same author
  3. 3 Murder on the Middle Passage 2020 · 281 pages · Nicholas Rogers · Same author
  4. 4 England in the Fourteenth Century (Harlaxton Mediaeval Studies) 1993 · 216 pages · Nicholas Rogers · Same author
  5. 5 Aveen 2018 · 156 pages · Nicholas Rogers · Same author
  6. 6 Maritime Bristol in the Slave-Trade Era 2024 · 272 pages · Nicholas Rogers · Same author
  7. 7 Crowds, culture, and politics in Georgian Britain 1998 · 291 pages · Nicholas Rogers · Same author
  8. 8 Carnival of Lights 2011 · 93 pages · Nicholas Rogers · Same author
  9. 9 CATHOLICS IN CAMBRIDGE; ED. BY NICHOLAS ROGERS 2003 · 398 pages · Nicholas Rogers · Same author
  10. 10 Bristol from Below 2017 · 403 pages · Steve Poole, Nicholas Rogers · Same author
  11. 11 Whigs and cities 1989 · 440 pages · Nicholas Rogers · Same author

Frequently asked questions

What should I read after Manning the Royal Navy in Bristol?

BookOrb recommends Unfree labour in the development of the Atlantic world (2012), Bad Blood in Georgian Bristol (2022), Murder on the Middle Passage (2020), England in the Fourteenth Century (Harlaxton Mediaeval Studies) (1993), and Aveen (2018).

Are there books like Manning the Royal Navy in Bristol?

Yes. The list on this page is ranked from the closest matches BookOrb has for Manning the Royal Navy in Bristol.

Who wrote Manning the Royal Navy in Bristol?

Manning the Royal Navy in Bristol is by Nicholas Rogers.