The evangelist and the impresario

What is culture and who has the authority to define it? If culture is composed of hierarchies, who determines what their standards should be, and how? What are the stakes involved in conceiving some forms of culture as good and others as bad? These may sound like questions from late twentieth-century American culture wars, but they were already in vigorous dispute a century ago.

In The Evangelist and the Impresario, Kathryn Oberdeck explores how a broad range of Americans addressed these questions at the vibrant intersection of religion, vaudeville, and class politics at the turn of the twentieth century. The Evangelist and the Impresario focuses on the intriguing careers of two remarkable public figures: Irish-born socialist Alexander Irvine and Italian-American entertainment mogul Sylvester Poli.