The Hamlet Zone
Reworking Hamlet for European Cultures
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About This Book
Chapter 1: Performance as Ironic Supplement: Portuguese Hamlet and One Hamlet too Many (Francesca Rayner)
Chapter 2: Dramatic Leaps and Political Falls: Russian Hamlet Ballet in 1991 (Nancy Isenberg)
Chapter 3: Tracing a Text of Identity: Hungarian Hamlet Poetry (Márta Minier)
Chapter 4: Spectres of Hamlet in Spanish Republican Exile Writing (Helena Buffery)
Chapter 5: Spectres of Hamlet in Walter Benjamin and the German Theory of Tragedy (Joshua Billings)
Chapter 6: Siting and Citing Hamlet in Elsinore, Denmark (Alexander C. Y. Huang)
Chapter 7: Siting Hamlet for the Online Generation: The hamlet_X Project (Conny Loder)
Chapter 8: The Born-again Socialist Bard: Hamlet in Romania (Nicoleta Cinpoeş)
Chapter 9: History as an Interruption: Hamlet and 1956 in Hungary (Veronika Schandl)
Chapter 10: Janus-faced Hamlets of the German Stage: Fritz Kortner and Gustaf Gründgens (Peter W. Marx)
Chapter 11: Hamlet as Mohamlet: Multiculturalism on the Swedish Stage (Ishrat Lindblad)
Chapter 12: The Imprint of France: French Hamlet and Spanish Neoclassicism (Keith Gregor)
Chapter 13: Radical Quotation: Papa Hamlet and the Claims of Naturalism (Gijsbert Pols)
Chapter 14: Death by Cultural Mobility: Ophelia in German (Ruth J. Owen)
Chapter 15: Myth, Metadrama and Metabiography: Rosencrantz and Guildenstern are Dead (Holger Südkamp)
Chapter 16: Hamlet as Unmarked Intertext: The Imperative of Remembrance in Horn’s End (Robert Blankenship)
Afterword: Hamlet’s Infinite Space (Ton Hoenselaars, President of the European Shakespeare Research Association)
Chapter 2: Dramatic Leaps and Political Falls: Russian Hamlet Ballet in 1991 (Nancy Isenberg)
Chapter 3: Tracing a Text of Identity: Hungarian Hamlet Poetry (Márta Minier)
Chapter 4: Spectres of Hamlet in Spanish Republican Exile Writing (Helena Buffery)
Chapter 5: Spectres of Hamlet in Walter Benjamin and the German Theory of Tragedy (Joshua Billings)
Chapter 6: Siting and Citing Hamlet in Elsinore, Denmark (Alexander C. Y. Huang)
Chapter 7: Siting Hamlet for the Online Generation: The hamlet_X Project (Conny Loder)
Chapter 8: The Born-again Socialist Bard: Hamlet in Romania (Nicoleta Cinpoeş)
Chapter 9: History as an Interruption: Hamlet and 1956 in Hungary (Veronika Schandl)
Chapter 10: Janus-faced Hamlets of the German Stage: Fritz Kortner and Gustaf Gründgens (Peter W. Marx)
Chapter 11: Hamlet as Mohamlet: Multiculturalism on the Swedish Stage (Ishrat Lindblad)
Chapter 12: The Imprint of France: French Hamlet and Spanish Neoclassicism (Keith Gregor)
Chapter 13: Radical Quotation: Papa Hamlet and the Claims of Naturalism (Gijsbert Pols)
Chapter 14: Death by Cultural Mobility: Ophelia in German (Ruth J. Owen)
Chapter 15: Myth, Metadrama and Metabiography: Rosencrantz and Guildenstern are Dead (Holger Südkamp)
Chapter 16: Hamlet as Unmarked Intertext: The Imperative of Remembrance in Horn’s End (Robert Blankenship)
Afterword: Hamlet’s Infinite Space (Ton Hoenselaars, President of the European Shakespeare Research Association)
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