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In the book "The Rise from the Image" (1996), in which, through simulation prolo nged state of anxiety, through the sensory and rhythmic scope of life and literature from the burned ruins reading, the poet manages to make a new exit personal, from what is, metaphorically speaking, only picture what is the time to embrace invisible and concrete, watching behind the masks final, the poet reveals his round trip through a temporary summers.

Nenad Saponja, writer
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