Calling the Show
1.3 hrs read
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About This Book
Senior stage manager Jesse Ferelit and sophomore light board operator Simeck Whedon meet while crewing a college theater production. Jesse hates everything about Sim -- his lack of theater experience, his obsession with LGBTQ politics, his infatuation with, of all things, hula hoops. Well, he doesn't hate everything. He doesn't mind Sim's eyes, or hair, or his surprising ability to be cool in a crisis. But Jesse is graduating in just a few months, and if there's one thing he does not have time for, it's a relationship.
Sim knows exactly what he likes: civil rights, the circus, and sex. And he knows what he likes about Jesse. In the control booth, Jesse is exactly Sim's type -- a natural leader, collected and confident. But outside the booth, he seems reclusive, acerbic and uptight -- hardly Sim's type at all. Is a relationship with Jesse a real possibility, just a fantasy, or a hopelessly lost cause?
When Sim offers to teach Jesse how to hula hoop as a way to relax and loosen up, the lessons ease the two men out of their individual circles and into an unexpected shared world of sex, kink, friendship, and eventually love.
Sim knows exactly what he likes: civil rights, the circus, and sex. And he knows what he likes about Jesse. In the control booth, Jesse is exactly Sim's type -- a natural leader, collected and confident. But outside the booth, he seems reclusive, acerbic and uptight -- hardly Sim's type at all. Is a relationship with Jesse a real possibility, just a fantasy, or a hopelessly lost cause?
When Sim offers to teach Jesse how to hula hoop as a way to relax and loosen up, the lessons ease the two men out of their individual circles and into an unexpected shared world of sex, kink, friendship, and eventually love.
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