If you liked Nāmah-i Mīnuvī by Īraj Afshār, start with Fihrist-i maqālāt-i ḥuqūqī (1968), Mukhābarāt-i Astarābād (1984), and Bibliographie des catalogues des manuscrits persans (1958). These recommendations are drawn from the same author, shared genres, and reader overlap on BookOrb.

Back to Nāmah-i Mīnuvī · Īraj Afshār books in order

Recommended next reads

  1. 1 Fihrist-i maqālāt-i ḥuqūqī 1968 · 1 pages · Īraj Afshār · Same author
  2. 2 Mukhābarāt-i Astarābād 1984 · 2 pages · Īraj Afshār, Muḥammad Rasūl Daryāgasht · Same author
  3. 3 Bibliographie des catalogues des manuscrits persans 1958 · 88 pages · Īraj Afshār · Same author
  4. 4 Muḥammad ʻAlī Mīrzā Valīʻahd va Muḥammad ʻAlī Shāh makhlūʻ 2008 · 208 pages · Īraj Afshār · Same author
  5. 5 Fihrist-i mawz̤ūʻī az chāpkardahʹhā va nibishtahʹhā-yi Īraj Afshār, marbūṭ bih sālhā-yi 1381-1323 2003 · 161 pages · Īraj Afshār · Same author
  6. 6 Kitābshināsī-i Firdawsī 1968 · 285 pages · Īraj Afshār · Same author
  7. 7 Diyātissārūn-i Fārsī 2009 · 387 pages · Īraj Afshār · Same author
  8. 8 Khvābguzārī 1967 · 429 pages · Īraj Afshār · Same author
  9. 9 Fihristnāmah-ʼi kitābshināsiha-yi Irān 1964 · 217 pages · Īraj Afshār · Same author
  10. 10 ʻĀlamʹ ārā-yi Shah Tahmasb 1991 · 491 pages · Īraj Afshār · Same author
  11. 11 Yādgārhā-yi Yazd Īraj Afshār · Same author
  12. 12 Yādgārʹnāmah-i̕ Ḥabīb Yaghmāī̕ 1977 · 551 pages · Ghulām Ḥusayn Yūsufī, محمد ابراهیم باستانی پاریزی, Īraj Afshār · Same author

Frequently asked questions

What should I read after Nāmah-i Mīnuvī?

BookOrb recommends Fihrist-i maqālāt-i ḥuqūqī (1968), Mukhābarāt-i Astarābād (1984), Bibliographie des catalogues des manuscrits persans (1958), Muḥammad ʻAlī Mīrzā Valīʻahd va Muḥammad ʻAlī Shāh makhlūʻ (2008), and Fihrist-i mawz̤ūʻī az chāpkardahʹhā va nibishtahʹhā-yi Īraj Afshār, marbūṭ bih sālhā-yi 1381-1323 (2003).

Are there books like Nāmah-i Mīnuvī?

Yes. The list on this page is ranked from the closest matches BookOrb has for Nāmah-i Mīnuvī.

Who wrote Nāmah-i Mīnuvī?

Nāmah-i Mīnuvī is by Īraj Afshār.