The king of the movies
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About This Book
That immigrant Jews had a profound impact on the growth of American cinema is well known and has been the subject of much scholarship. But America's first Jewish movie mogul, Siegmund Lubin of Philadelphia, has never been closely studied. Drawing upon contemporary accounts and interviews with Lubin's surviving family, friends, and employees, this work details the life and career of the once-famous "Pop" Lubin.
It also seeks to explore the complex personality of this early film pioneer and the impact he had on the initial development of the movies.
Torn between his loyalty to Edison and his desire to help the young Jewish independents trying to break into the business, Lubin adopted a complex strategy for working both sides of the fence. Sam Goldwyn, Jesse Lasky, Mark Dintenfass, Charles Baumann, and Adam Kessel all benefited from his discreet assistance. Lubin also became the first American film pioneer to utilize the motion picture to combat anti-Semitism.
Though notoriously pragmatic in his business practices, Lubin cultivated a sterling reputation in the press and in the industry's trade journals, successfully styling himself "The King of the Movies." He carefully documented his shameless self-promotion in seven volumes of scrapbooks, which were utilized for this study.
It also seeks to explore the complex personality of this early film pioneer and the impact he had on the initial development of the movies.
Torn between his loyalty to Edison and his desire to help the young Jewish independents trying to break into the business, Lubin adopted a complex strategy for working both sides of the fence. Sam Goldwyn, Jesse Lasky, Mark Dintenfass, Charles Baumann, and Adam Kessel all benefited from his discreet assistance. Lubin also became the first American film pioneer to utilize the motion picture to combat anti-Semitism.
Though notoriously pragmatic in his business practices, Lubin cultivated a sterling reputation in the press and in the industry's trade journals, successfully styling himself "The King of the Movies." He carefully documented his shameless self-promotion in seven volumes of scrapbooks, which were utilized for this study.
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