Não está claro até que a noite caia
Não está claro até que a noite caia
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About This Book
The book "Is not clear until night falls" brings together words, sentences, photographs and sculptures that made up the exhibit at the Oscar Niemeyer Museum. The work byartist from Juliana Stein (Passo Fundo, Brazil 1970) features written formulations and images proposing certain shifts between its limits, above all as an attempt to articulate spaces of photography, and text, around the opaque sense of things that escape and that inscribe us more than we can write about them. Her work examines, for example, whether there is an image for each word and whether there is a word for each image. The dynamics are maintained in the presentation of the book design, which has its pages open-closed according to the reading process of each reader. In addition to the images of the works and graphic records, the publication includes texts by the art critic Agnaldo Farias and the artist herself.
The book "Is not clear until night falls" brings together words, sentences, photographs and sculptures that made up the exhibit at the Oscar Niemeyer Museum. The work byartist from Juliana Stein (Passo Fundo, Brazil 1970) features written formulations and images proposing certain shifts between its limits, above all as an attempt to articulate spaces of photography, and text, around the opaque sense of things that escape and that inscribe us more than we can write about them. Her work examines, for example, whether there is an image for each word and whether there is a word for each image. The dynamics are maintained in the presentation of the book design, which has its pages open-closed according to the reading process of each reader. In addition to the images of the works and graphic records, the publication includes texts by the art critic Agnaldo Farias and the artist herself
The book "Is not clear until night falls" brings together words, sentences, photographs and sculptures that made up the exhibit at the Oscar Niemeyer Museum. The work byartist from Juliana Stein (Passo Fundo, Brazil 1970) features written formulations and images proposing certain shifts between its limits, above all as an attempt to articulate spaces of photography, and text, around the opaque sense of things that escape and that inscribe us more than we can write about them. Her work examines, for example, whether there is an image for each word and whether there is a word for each image. The dynamics are maintained in the presentation of the book design, which has its pages open-closed according to the reading process of each reader. In addition to the images of the works and graphic records, the publication includes texts by the art critic Agnaldo Farias and the artist herself
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