The invention of the Italian Renaissance printmaker

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207 pages 2000

About This Book

"In this book Evelyn Lincoln examines the formation of the new career of printmaker during the late fifteenth century and throughout the sixteenth century in Italy. She focuses particularly on the practical relationship between the ancient skill of drawing and the more modern techniques of artisans who made prints by engraving images into copper or wood.

Looking closely at the widely diverse prints issuing from early Italian presses, Lincoln shows how Italian social, religious, and educational practices are revealed in these printed images, demonstrating how a printmaker's training and experience affected the look of the finished work."--BOOK JACKET.

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