Co-authoring advanced art
Co-authoring advanced art
6 min read
Rate this book:
About This Book
The joint production of paintings by more than one artist was not uncommon in the past: a number of Old Masters had assistants do much of the work on their paintings, executing images that had been planned by the master. Yet prior to the twentieth century very few paintings were actually signed by more than one artist. Early in the twentieth century, many important conceptual artists occasionally co-authored paintings or drawings, but consistent co-authorship of paintings, sculptures, and photographs is a practice that is novel to the late twentieth century. These recent instances have generally involved pairs of conceptual artists. The English team, Gilbert and George, is the most important pair that has consistently produced co-authored works; they have executed all of their work jointly since 1969, when they made Singing Sculpture, their first and most famous piece. A number of pairs of young conceptual artists had worked closely together earlier in the century, but they did not formally co-author their work, perhaps because of the art world's commitment to the ideal of the autonomous artist. Since the critical and economic success of Gilbert and George has demonstrated that this resistance can be overcome, co-authorship has become more common among younger conceptual artists, and this trend is likely to continue in future.
Buy This Book
As an Amazon Associate and Bookshop.org affiliate, BookOrb earns from qualifying purchases.
Write a Review
Sign in to write a review.
More by David W. Galenson
A conceptual world
A conceptual world
A portrait of the artist as a
A portrait of the artist as a very young or very old innovator
A portrait of the artist as a
A portrait of the artist as a young or old innovator
Age and the quality of work
Age and the quality of work
Analyzing artistic innovation
Analyzing artistic innovation
Anticipating artistic success
Anticipating artistic success (or, how to beat the art market)