Invenit, Incisit, Imitavit

Until the founding of the public museum in the 18th century, the works of Raphael were known to other artists almost exclusively from their transmission in etchings. Among these, the works of Raphaels contemporary Marcantonio Raimondi and his atelier were a critical factor in his reception. This publication examines Raimondis graphic art as a mediator for Raphaels work and an impetus for creative interest.