If you liked Mormon Identities in Transition by Douglas James Davies, start with Cremation today and tomorrow (2010), An Introduction to Mormonism (2003), and Private passions (2000). These recommendations are drawn from the same author, shared genres, and reader overlap on BookOrb.

Back to Mormon Identities in Transition · Douglas James Davies books in order

Recommended next reads

  1. 1 Cremation today and tomorrow 2010 · 47 pages · Douglas James Davies · Same author
  2. 2 An Introduction to Mormonism 2003 · Douglas James Davies · Same author
  3. 3 Private passions 2000 · 134 pages · Douglas James Davies · Same author
  4. 4 Emotion, Identity and Death 2016 · 248 pages · Chang-Won Park, Douglas James Davies · Same author
  5. 5 Themes and issues in Christianity 1997 · 298 pages · Douglas James Davies · Same author
  6. 6 Reusing Old Graves 1995 · 178 pages · Douglas James Davies, Alastair Shaw · Same author
  7. 7 Encyclopedia of cremation 2005 · 516 pages · Douglas James Davies, Lewis H. Mates · Same author
  8. 8 Death, Ritual and Belief 1997 · 320 pages · Douglas James Davies · Same author
  9. 9 Sacred Selves, Sacred Settings 2015 · 194 pages · Douglas James Davies, Adam J. Powell · Same author
  10. 10 The role of death in life 2015 · 206 pages · John Behr, Jeffrey Paul Bishop, Douglas James Davies, Emmanuel Falque, Alexei V. Filippenko, Daniel B. Hinshaw, Luc Jaeger, Henry L. Novello · Same author
  11. 11 Mormon Spirituality 1987 · 186 pages · Douglas James Davies · Same author

Frequently asked questions

What should I read after Mormon Identities in Transition?

BookOrb recommends Cremation today and tomorrow (2010), An Introduction to Mormonism (2003), Private passions (2000), Emotion, Identity and Death (2016), and Themes and issues in Christianity (1997).

Are there books like Mormon Identities in Transition?

Yes. The list on this page is ranked from the closest matches BookOrb has for Mormon Identities in Transition.

Who wrote Mormon Identities in Transition?

Mormon Identities in Transition is by Douglas James Davies.