If you liked Our Broad Present Time And Contemporary Culture by Hans Ulrich Gumbrecht, start with Warum Fussball? (2002), Généralités (1972), and Revue 1926 (2001). These recommendations are drawn from the same author, shared genres, and reader overlap on BookOrb.
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· Hans Ulrich Gumbrecht books in order
Recommended next reads
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1
Warum Fussball?
2002 · 146 pages · Hans Ulrich Gumbrecht · Same author
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2
Généralités
1972 · 742 pages · Maurice Delbouille, Hans Ulrich Gumbrecht · Same author
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3
Revue 1926
2001 · 64 pages · Hans Ulrich Gumbrecht, Felix Studinka · Same author
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4
Paradoxien, Dissonanzen, Zusammenbrüche
1991 · 863 pages · Hans Ulrich Gumbrecht, Karl Ludwig Pfeiffer · Same author
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5
Stadium Crowds
2020 · 150 pages · Hans Ulrich Gumbrecht · Same author
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6
The powers of philology
2003 · 93 pages · Hans Ulrich Gumbrecht · Same author
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7
Vom Leben und Sterben der grossen Romanisten
2002 · 231 pages · Hans Ulrich Gumbrecht · Same author
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8
Eine Geschichte der spanischen Literatur
1990 · 1,483 pages · Hans Ulrich Gumbrecht · Same author
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9
Corpo e forma
1998 · Hans Ulrich Gumbrecht · Same author
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10
Literatur in der Gesellschaft des Spätmittelalters
1980 · 346 pages · Hans Ulrich Gumbrecht · Same author
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11
"Sein, das verstanden werden kann, ist Sprache"
2001 · 118 pages · Jürgen Habermas, Gianni Vattimo, Michael Theunissen, Rüdiger Bubner, Hans Ulrich Gumbrecht · Same author
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12
DESPUES DE 1945 LA LATENCIA COMO ORIGEN DEL PRESENTE
2015 · Hans Ulrich Gumbrecht · Same author
Frequently asked questions
What should I read after Our Broad Present Time And Contemporary Culture?
BookOrb recommends Warum Fussball? (2002), Généralités (1972), Revue 1926 (2001), Paradoxien, Dissonanzen, Zusammenbrüche (1991), and Stadium Crowds (2020).
Are there books like Our Broad Present Time And Contemporary Culture?
Yes. The list on this page is ranked from the closest matches BookOrb has for Our Broad Present Time And Contemporary Culture.
Who wrote Our Broad Present Time And Contemporary Culture?
Our Broad Present Time And Contemporary Culture is by Hans Ulrich Gumbrecht.