If you liked Nigel of Longchamp, Speculum Stultorum by Jill Mann, start with The Cambridge companion to Chaucer (2003), Apologies to women (1991), and The Cambridge Chaucer companion (1986). These recommendations are drawn from the same author, shared genres, and reader overlap on BookOrb.

Back to Nigel of Longchamp, Speculum Stultorum · Jill Mann books in order

Recommended next reads

  1. 1 The Cambridge companion to Chaucer 2003 · 317 pages · Piero Boitani, Jill Mann · Same author
  2. 2 Apologies to women 1991 · 43 pages · Jill Mann · Same author
  3. 3 The Cambridge Chaucer companion 1986 · 262 pages · Piero Boitani, Jill Mann · Same author
  4. 4 Ysengrimus Dumbarton Oaks Medieval Library 2013 · 540 pages · Jill Mann · Same author
  5. 5 Medieval Latin and Middle English literature 2011 · 280 pages · Jill Mann, Christopher Cannon · Same author
  6. 6 The narrative of distance, the distance of narrative in Malory's Morte Darthur 1991 · 37 pages · Jill Mann · Same author
  7. 7 Langland and Allegory (Morton W. Bloomfield Lectures on Medieval English Literature) 1992 · 27 pages · Jill Mann · Same author
  8. 8 From Aesop to Reynard 2009 · 380 pages · Jill Mann · Same author
  9. 9 Feminizing Chaucer 2002 · 218 pages · Jill Mann · Same author
  10. 10 The text in the community 2006 · 296 pages · Jill Mann · Same author
  11. 11 Feminizing Chaucer. Chaucer Studies, Volume 30 2002 · 194 pages · Jill Mann · Same author

Frequently asked questions

What should I read after Nigel of Longchamp, Speculum Stultorum?

BookOrb recommends The Cambridge companion to Chaucer (2003), Apologies to women (1991), The Cambridge Chaucer companion (1986), Ysengrimus Dumbarton Oaks Medieval Library (2013), and Medieval Latin and Middle English literature (2011).

Are there books like Nigel of Longchamp, Speculum Stultorum?

Yes. The list on this page is ranked from the closest matches BookOrb has for Nigel of Longchamp, Speculum Stultorum.

Who wrote Nigel of Longchamp, Speculum Stultorum?

Nigel of Longchamp, Speculum Stultorum is by Jill Mann.