Incerteza/ça e interpelación/ção
Incerteza/ça e interpelación/ção
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About This Book
A bilingual publication (Spanish/Portuguese) that reviews and proposes conceptualizations, tools and methodologies of art work in relation to communities.Included in this book is the continuity of work of Forensic Curatoria since 2005, the research and case studies in Latin America, the conversations and the work shared with communities and their organizations. The objective of the residency was to review and debate models of work in contemporary art research in relation to social situations in Latin America, in order to propose, through collective and collaborative work, possible methodologies and categorizations, developing relationships between artists, art researchers, curators, art historians, managers, art researchers, art professors, critics and other practitioners across the continent.
A bilingual publication (Spanish/Portuguese) that reviews and proposes conceptualizations, tools and methodologies of art work in relation to communities.Included in this book is the continuity of work of Forensic Curatoria since 2005, the research and case studies in Latin America, the conversations and the work shared with communities and their organizations. The objective of the residency was to review and debate models of work in contemporary art research in relation to social situations in Latin America, in order to propose, through collective and collaborative work, possible methodologies and categorizations, developing relationships between artists, art researchers, curators, art historians, managers, art researchers, art professors, critics and other practitioners across the continent.
A bilingual publication (Spanish/Portuguese) that reviews and proposes conceptualizations, tools and methodologies of art work in relation to communities.Included in this book is the continuity of work of Forensic Curatoria since 2005, the research and case studies in Latin America, the conversations and the work shared with communities and their organizations. The objective of the residency was to review and debate models of work in contemporary art research in relation to social situations in Latin America, in order to propose, through collective and collaborative work, possible methodologies and categorizations, developing relationships between artists, art researchers, curators, art historians, managers, art researchers, art professors, critics and other practitioners across the continent.
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