Understanding Suzan-Lori Parks
Understanding Suzan-Lori Parks
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About This Book
"Understanding Suzan-Lori Parks is a critical study of a playwright and screenwriter who was the first Africa America woman to receive the Pulitzer Prize for Drama. Suzan-Lori Parks is also the recipient of a MacArthur Genius Award, a Whiting Writers Award, a Lila Wallace Reader's Digest Award, a CalArts/Alpert Award in the Arts, two Obie Awards, and a Eugene McDermott Award in the Arts. In this book Jennifer Larson examines how Parks, through the innovative language and narratives of her extensive body of work, investigates and invigorates literary and cultural history. Larson discusses all of Parks's genres - plays, screenplays, essay, and novel - closely reading key texts from Parks's most experimental earlier pieces as well as her more linear later narratives. Larson's study begins with a survey of Parks's earliest and most difficult texts including Imperceptible Mutabilities in the Third Kingdom and The Death of the Last Black Man in the Whole Entire World.
Larson then analyzes Venus, In the Blood, and the Lincoln Plays: The America Play and the Pulitzer Prize-winning Top Dog/ Underdog. Parks's enigmatic "Great Hole of History" - a representation of a vacuousness of traditional history as well as a place where racial and personal identity can be both lost and found - which is introduced in The America Play and reappears throughout most of Parks's late works - provides a lens for focusing complex elements. Larson also discusses two of Parks's important screenplays, Girl 6 and Their Eyes Were Watching God. In interpreting these screenplays, Larson examines film's role in the popularization and representation of African American culture and history. Finally Parks's 365 Days/ 365 Plays collection and her essays are explored as well as her role in the 2012 revival of Porgy and Bess.
These essays suggest an approach to all genres of literature and blend creativity, form, culture, and history into a revisionary aesthetic that allows for no identity or history to remain fixed, with Parks arguing that in order to be relevant they must all be dynamic and democratic."--Book Jacket.
Larson then analyzes Venus, In the Blood, and the Lincoln Plays: The America Play and the Pulitzer Prize-winning Top Dog/ Underdog. Parks's enigmatic "Great Hole of History" - a representation of a vacuousness of traditional history as well as a place where racial and personal identity can be both lost and found - which is introduced in The America Play and reappears throughout most of Parks's late works - provides a lens for focusing complex elements. Larson also discusses two of Parks's important screenplays, Girl 6 and Their Eyes Were Watching God. In interpreting these screenplays, Larson examines film's role in the popularization and representation of African American culture and history. Finally Parks's 365 Days/ 365 Plays collection and her essays are explored as well as her role in the 2012 revival of Porgy and Bess.
These essays suggest an approach to all genres of literature and blend creativity, form, culture, and history into a revisionary aesthetic that allows for no identity or history to remain fixed, with Parks arguing that in order to be relevant they must all be dynamic and democratic."--Book Jacket.
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