If you liked Muḥammad ʻAlī Mīrzā Valīʻahd va Muḥammad ʻAlī Shāh makhlūʻ by Īraj Afshār, start with Farsh-i Īrānī (2014), Diyātissārūn-i Fārsī (2009), and Ibrāhīm Jān Muʻaṭṭar (1963). These recommendations are drawn from the same author, shared genres, and reader overlap on BookOrb.

Back to Muḥammad ʻAlī Mīrzā Valīʻahd va Muḥammad ʻAlī Shāh makhlūʻ · Īraj Afshār books in order

Recommended next reads

  1. 1 Farsh-i Īrānī 2014 · 231 pages · Īraj Afshār · Same author
  2. 2 Diyātissārūn-i Fārsī 2009 · 387 pages · Īraj Afshār · Same author
  3. 3 Ibrāhīm Jān Muʻaṭṭar 1963 · 35 pages · Īraj Afshār · Same author
  4. 4 Fihristnāmah-ʼi kitābshināsiha-yi Irān 1964 · 217 pages · Īraj Afshār · Same author
  5. 5 Nāmah-i Mīnuvī 1971 · 588 pages · Īraj Afshār · Same author
  6. 6 Yādgārhā-yi Yazd Īraj Afshār · Same author
  7. 7 Yādgārʹnāmah-i̕ Ḥabīb Yaghmāī̕ 1977 · 551 pages · Ghulām Ḥusayn Yūsufī, محمد ابراهیم باستانی پاریزی, Īraj Afshār · Same author
  8. 8 Majmūʻah-ʼi asnād va madārik-i chāp nashudah dar bārah-ʼi Sayyid Jamāl al-Dīn mashhūr bih Afghānī 2010 · 217 pages · Aṣghar Mahdavī, Īraj Afshār · Same author
  9. 9 Fihrist-i maqālāt-i ḥuqūqī 1968 · 1 pages · Īraj Afshār · Same author
  10. 10 Mukhābarāt-i Astarābād 1984 · 2 pages · Īraj Afshār, Muḥammad Rasūl Daryāgasht · Same author
  11. 11 Bibliographie des catalogues des manuscrits persans 1958 · 88 pages · Īraj Afshār · Same author

Frequently asked questions

What should I read after Muḥammad ʻAlī Mīrzā Valīʻahd va Muḥammad ʻAlī Shāh makhlūʻ?

BookOrb recommends Farsh-i Īrānī (2014), Diyātissārūn-i Fārsī (2009), Ibrāhīm Jān Muʻaṭṭar (1963), Fihristnāmah-ʼi kitābshināsiha-yi Irān (1964), and Nāmah-i Mīnuvī (1971).

Are there books like Muḥammad ʻAlī Mīrzā Valīʻahd va Muḥammad ʻAlī Shāh makhlūʻ?

Yes. The list on this page is ranked from the closest matches BookOrb has for Muḥammad ʻAlī Mīrzā Valīʻahd va Muḥammad ʻAlī Shāh makhlūʻ.

Who wrote Muḥammad ʻAlī Mīrzā Valīʻahd va Muḥammad ʻAlī Shāh makhlūʻ?

Muḥammad ʻAlī Mīrzā Valīʻahd va Muḥammad ʻAlī Shāh makhlūʻ is by Īraj Afshār.