Books by Harvard University. Department of music

Reverent cadence and subtle ps
Reverent cadence and subtle psalm
1994
Introduction to Verdi
Introduction to Verdi
1951
The cross relation
The cross relation
1951
Harmonic technique in the Beet
Harmonic technique in the Beethoven string quartets
1949
Italian influences in the musi
Italian influences in the music of Heinrich Schutz
1949
Tonality in the orchestral mus
Tonality in the orchestral music of Rimsky-Korsakov
1949
A study of tonality in the lar
A study of tonality in the large instrumental works of Franz Schubert
1948
The impact of German romantic
The impact of German romantic poetry on the German Lied
1948
Comparison and analysis of Moz
Comparison and analysis of Mozart's string quartets with regard to formal development
1947
Musical consonance and dissona
Musical consonance and dissonance
1947
The history of the kettledrums
The history of the kettledrums in Western culture
1947
The form of Hindemith's sonata
The form of Hindemith's sonatas for piano and a solo instrument
1945
A study of responsiveness to m
A study of responsiveness to music
1944
The choral personality of Will
The choral personality of William Byrd
1943
The piano sonata in the twenti
The piano sonata in the twentieth century
1943
The process of popularization
The process of popularization in German music, 1900-1910
1943
An introduction to orchestral
An introduction to orchestral analysis as applied to seven works of Igor Stravinsky
1942
Modality in the works of Holst
Modality in the works of Holst and Malipiero
1942
Types and forms of instrumenta
Types and forms of instrumental pieces in thorough-bass opera
1942
Mozart's contributions to the
Mozart's contributions to the klavier concerto
1941
Pentatonic, modal, and idiomat
Pentatonic, modal, and idiomatic scales in the folk music of the United States of America
1941
Realism in late nineteenth cen
Realism in late nineteenth century opera
1941
The relation of Handel and Moz
The relation of Handel and Mozart as choral composers
1941
Harmonic rhythm in the Beethov
Harmonic rhythm in the Beethoven symphonies
1940
Hindemith as an exponent of Ge
Hindemith as an exponent of Gebrauchsmusik
1940
The development of the orchest
The development of the orchestra as a means of dramatic expression in the operas of Giuseppe Verdi
1940
The achievements and contribut
The achievements and contributions to the history of music by Samuel Coleridge-Taylor, colored English musician
1939
A partial examination of instr
A partial examination of instrumentation and orchestration in contemporary dance music
1938
The opera chorus of the sevent
The opera chorus of the seventeenth century
1938
Response of strings
Response of strings
1937
The treatment of the natural h
The treatment of the natural horns and trumpets in the symphonies of the Mannheim school, Haydn, Mozart and Beethoven
1937
An investigation of Georg Frie
An investigation of Georg Friedrich Händel's orchestral style
1932