Biography

Rudolf Arnheim (July 15, 1904 – June 9, 2007) was a German-born author, art and film theorist, and perceptual psychologist. He learned Gestalt psychology from studying under Max Wertheimer and Wolfgang Köhler at the University of Berlin and applied it to art. His magnum opus was his book Art and Visual Perception: A Psychology of the Creative Eye (1954). Other major books by Arnheim have included Visual Thinking (1969), and The Power of the Center: A Study of Composition in the Visual Arts (1982). [Source.][1]

[1]: http://en.wikipedia.org/wiki/Rudolf_Arnheim

Books by Rudolf Arnheim

Art and Visual Perception, Sec
Art and Visual Perception, Second Edition
2023
Genesis of a Painting
Genesis of a Painting
2023
Split and the Structure
Split and the Structure
2023
The lasting world
The lasting world
2017
Afflict the Comfortable
Afflict the Comfortable
2015
Film come arte
Film come arte
2013
Forța centrului vizual
Forța centrului vizual
2012
Rudolf Arnheim : 100 Notes, 10
Rudolf Arnheim : 100 Notes, 100 Thoughts
2012
Sanat Olarak Sinema
Sanat Olarak Sinema
2010
Dynamics of Architectural Form
Dynamics of Architectural Form
2009
The dynamics of architectural form
The dynamics of architectural form
2009
The Power of the Center
The Power of the Center
2009
Gorsel Dusunme
Gorsel Dusunme
2007
Arte y percepcion visual / Art and Visual Perception
Arte y percepcion visual / Art and Visual Perception
2005
Die Seele in der Silberschicht
Die Seele in der Silberschicht
2004
Stimme von der Galerie
Stimme von der Galerie
2004
Anschauliches Denken. Zur Einh
Anschauliches Denken. Zur Einheit von Bild und Begriff
2001
Poder del Centro, El - Estudio
Poder del Centro, El - Estudio Sobre La Composicion En Las Artes Visuales
2001
Rundfunk als Hörkunst. Und weitere Aufsätze zum Hörfunk
Rundfunk als Hörkunst. Und weitere Aufsätze zum Hörfunk
2001
Arte y Percepcion Visual Psico
Arte y Percepcion Visual Psicologia del Ojo Creado
2000
El Quiebre y La Estructura
El Quiebre y La Estructura
2000
Eppure, forse, domani
Eppure, forse, domani
2000
Rudolf Arnheim
Rudolf Arnheim
1998
Eine verkehrte Welt
Eine verkehrte Welt
1997
Film essays and criticism
Film essays and criticism
1997
Le cinéma est un art
Le cinéma est un art
1997
Poder del Centro, El
Poder del Centro, El
1997
Die Macht der Mitte. Eine Kompositionslehre für die bildenden Künste
Die Macht der Mitte. Eine Kompositionslehre für die bildenden Künste
1996
Entropy and art
Entropy and art
1996
The split and the structure
The split and the structure
1996
Arte y Percepcion Visual - Nueva Edicion
Arte y Percepcion Visual - Nueva Edicion
1993
Consideraciones Sobre La Educa
Consideraciones Sobre La Educacion Artistica
1993
Ensayos Para Rescatar El Arte
Ensayos Para Rescatar El Arte
1993
Rudolf Arnheim, Zauber des Seh
Rudolf Arnheim, Zauber des Sehens
1993
To the Rescue of Art
To the Rescue of Art
1991
Julian Stanczak. Decades of Light.
Julian Stanczak. Decades of Light.
1990
Nuevos Ensayos Sobre Psicologia del Arte
Nuevos Ensayos Sobre Psicologia del Arte
1990
Parables of sun light
Parables of sun light
1990
Thoughts on art education
Thoughts on art education
1990
Power of the Center
Power of the Center
1988
Film, Stadt, Kino, Berlin
Film, Stadt, Kino, Berlin
1987
Geijutsu shinrigaku
Geijutsu shinrigaku
1987
El Cine Como Arte
El Cine Como Arte
1986
El Pensamiento Visual
El Pensamiento Visual
1986
New essays on the psychology of art
New essays on the psychology of art
1986
My life in the art world
My life in the art world
1984
Estetica e psicologia
Estetica e psicologia
1982
Power of the Centre
Power of the Centre
1982
El "Guernica" de Picasso, Génesis de una pintura. Colección Comunicación Visual.
El "Guernica" de Picasso, Génesis de una pintura. Colección Comunicación Visual.
1981
Rivista di storia e critica de
Rivista di storia e critica della fotografia
1981
Arte e percepção visual
Arte e percepção visual
1980
Estética radiófonica
Estética radiófonica
1980
The Genesis of a painting : Picasso's Guernica
The Genesis of a painting : Picasso's Guernica
1980
Kritiken und Aufsätze zum Film
Kritiken und Aufsätze zum Film
1979
La forma visual de la arquitectura
La forma visual de la arquitectura
1978
La pensée visuelle
La pensée visuelle
1976
Shikakuteki shikō
Shikakuteki shikō
1974
The genesis of a painting
The genesis of a painting
1973
Vers une psychologie de l'art
Vers une psychologie de l'art ; suite d'essais
1973
Radio: an art of sound
Radio: an art of sound
1972
Radio (History of Broadcasting: Radio to Television)
Radio (History of Broadcasting: Radio to Television)
1971
Film as art
Film as art
1968
Order and complexity in landsc
Order and complexity in landscape design
1968
Kunst und Sehen
Kunst und Sehen
1965
From function to expression
From function to expression
1964
Bijutsu to shikaku
Bijutsu to shikaku
1963
Perceptual analysis of a symbo
Perceptual analysis of a symbol of interaction
1960
The Robin and the saint
The Robin and the saint
1959
Films as Art
Films as Art
1958
[The symbol of the heart]
[The symbol of the heart]
1957
Accident and the necessity of
Accident and the necessity of art
1957
Art and visual perception
Art and visual perception
1956
A review of proportion
A review of proportion
1955
Artistic symbols - Freudian an
Artistic symbols - Freudian and otherwise
1953
Perceptual and aesthetic aspec
Perceptual and aesthetic aspects of the movement response
1951
The Gestalt theory of expressi
The Gestalt theory of expression
1949
The holes of Henry Moore
The holes of Henry Moore
1948
Perceptual abstraction and art
Perceptual abstraction and art
1947
Geijutsu to shite no eiga
Geijutsu to shite no eiga
1933
Film als Kunst
Film als Kunst
1932
Experimentell-psychologische U
Experimentell-psychologische Untersuchungen zum Ausdrucksproblem
1928
Experimentellpsychologische un
Experimentellpsychologische untersuchungen zum ausdrucksproblem
1928
Stimme von der Galarie
Stimme von der Galarie
1928
Art and Visual Perception a Ps
Art and Visual Perception a Psychology Of
Picasso's "Guernica",the genes
Picasso's "Guernica",the genesis of a painting.
The dynamics of shape.
The dynamics of shape.
Toward a psychology of art
Toward a psychology of art