Biography
David Talbot Rice CBE was an English archaeologist and art historian. His name is sometimes written as Talbot-Rice. His parents were Charles Henry Talbot-Rice and Cecily Mary Talbot-Rice (née Lloyd). Born in Rugby and brought up in Gloucestershire, Talbot Rice was educated at Eton prior to reading archaeology and anthropology at Christ Church, Oxford. At Oxford his circle of friends included Evelyn Waugh and Harold Acton as well as his future wife (Elena) Tamara Abelson (1904–1993) a Russian émigré whom he was to marry in 1927. This group allegedly formed the original for Waugh's *Brideshead Revisited*. Elena was also an art historian, writing on Byzantine and Central Asian art, and spent much time travelling abroad with him on archaeological digs.
In 1925 while he was still an undergraduate, Talbot Rice became a staff member at the Oxford Field Museum's archaeological excavation in Kish, Iraq. He was to use this experience by incorporating some of his findings when completing his B.Sc. degree gained in 1927. Developing a passion for all things Byzantine, Talbot Rice joined the expeditions of the British Academy in Constantinople (now Istanbul) in 1927–32 and 1952–54. In 1928, for example, he visited Trebizond (now Trabzon), which would lead to his monograph on the subject being published in 1936. Talbot Rice's fieldwork continued with expeditions to Cyprus, Asia Minor, Iraq and Iran. His academic career took off in 1934 when he was appointed to the Watson Gordon Chair of Fine Art at the University of Edinburgh, Scotland, a post he held until his death in 1972. In 1937 he gave the Ilchester Lecture, later published as *The Beginnings of Russian Icon Painting*.
World War Two interrupted his academic pursuits when he was called up as head of the Near East Section of Military Intelligence (MI3b), which was responsible for Eastern Europe including Yugoslavia but excluding Russia and Scandinavia. He later transferred to the Special Operations Executive serving in North Africa and Italy with the rank of lieutenant-colonel. He was appointed Member of the British Empire in 1943. When peacetime resumed in 1945, Talbot Rice returned to his work in Edinburgh. From 1952-54, he led the excavations of the Great Palace of Constantinople in Istanbul, Turkey, and he was later involved in the uncovering and restoration of the Byzantine frescos in the Hagia Sophia in Trabzon. In 1958 he took responsibility for a major exhibition of Byzantine art for the Edinburgh International Festival.
As well as continuing with research, teaching, and the responsibilities associated with his professorship, Talbot Rice served on various national committees associated with the arts, including the Arts Council, of which he was a member from 1963-68. He was an honorary member of the Royal Scottish Academy and a senior trustee of National Galleries Scotland. From 1967-71 Talbot Rice served as vice principal of the University of Edinburgh. His ambition to establish an arts centre in the university was realised posthumously in 1975 by his successor Professor Giles Henry Robertson when the Talbot Rice Gallery was founded and named after him.
Source: [Wikipedia](https://en.wikipedia.org/wiki/David_Talbot_Rice)
In 1925 while he was still an undergraduate, Talbot Rice became a staff member at the Oxford Field Museum's archaeological excavation in Kish, Iraq. He was to use this experience by incorporating some of his findings when completing his B.Sc. degree gained in 1927. Developing a passion for all things Byzantine, Talbot Rice joined the expeditions of the British Academy in Constantinople (now Istanbul) in 1927–32 and 1952–54. In 1928, for example, he visited Trebizond (now Trabzon), which would lead to his monograph on the subject being published in 1936. Talbot Rice's fieldwork continued with expeditions to Cyprus, Asia Minor, Iraq and Iran. His academic career took off in 1934 when he was appointed to the Watson Gordon Chair of Fine Art at the University of Edinburgh, Scotland, a post he held until his death in 1972. In 1937 he gave the Ilchester Lecture, later published as *The Beginnings of Russian Icon Painting*.
World War Two interrupted his academic pursuits when he was called up as head of the Near East Section of Military Intelligence (MI3b), which was responsible for Eastern Europe including Yugoslavia but excluding Russia and Scandinavia. He later transferred to the Special Operations Executive serving in North Africa and Italy with the rank of lieutenant-colonel. He was appointed Member of the British Empire in 1943. When peacetime resumed in 1945, Talbot Rice returned to his work in Edinburgh. From 1952-54, he led the excavations of the Great Palace of Constantinople in Istanbul, Turkey, and he was later involved in the uncovering and restoration of the Byzantine frescos in the Hagia Sophia in Trabzon. In 1958 he took responsibility for a major exhibition of Byzantine art for the Edinburgh International Festival.
As well as continuing with research, teaching, and the responsibilities associated with his professorship, Talbot Rice served on various national committees associated with the arts, including the Arts Council, of which he was a member from 1963-68. He was an honorary member of the Royal Scottish Academy and a senior trustee of National Galleries Scotland. From 1967-71 Talbot Rice served as vice principal of the University of Edinburgh. His ambition to establish an arts centre in the university was realised posthumously in 1975 by his successor Professor Giles Henry Robertson when the Talbot Rice Gallery was founded and named after him.
Source: [Wikipedia](https://en.wikipedia.org/wiki/David_Talbot_Rice)
Books by David Talbot Rice
Birth of Western Painting
L'art de l'Empire byzantin
Domēnikos Theotokopoulos krēs
Domēnikos Theotokopoulos krēs epoiei
Historia de Las Civilizaciones 5
Art of the Byzantine era
The illustrations to the World
The illustrations to the World history of Rashīd al-Dīn
Studies in memory of David Talbot Rice
Icons and their dating
Icons and their history
The appreciation of Byzantine art
Islamic painting
Museums of Budapest
Museums of Budapest
Great Centres of Art COPENHAGEN
Stockholm (Great centres of art)
Byzantine art and its influences
The church of Haghia Sophia at Trebizond
A concise history of painting from prehistory to the thirteenth century
From prehistory to the thirteenth century
The making of European civiliz
The making of European civilization: the Dark Ages
The twelfth century renaissanc
The twelfth century renaissance in Byzantine art
Affreschi medioevali in jugosl
Affreschi medioevali in jugoslavia
Byzantine icons
Byzantine icons
Kunst aus Byzanz
Kunst aus Byzanz
Masterpieces of Byzantine art
Masterpieces of Byzantine art
The Great palace of the Byzant
The Great palace of the Byzantine emperors, second report
The beginnings of Christian art
The University portraits
The University portraits
Teach yourself to study art
Teach yourself to study art
Yugoslavia - mediaeval frescoe
Yugoslavia - mediaeval frescoes
The background of art
Byzantine painting and developments in the West before A. D. 1200
The icons of Cyprus
The icons of Cyprus
Byzantine Painting at Trebizond
Russian mediaeval architecture
The scope of art history
The scope of art history
Byzantine glazed pottery
Byzantine glazed pottery
The Wolves - 1st US Edition/1s
The Wolves - 1st US Edition/1st Printing